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Her breakfast finished, Betty sought the company of Moses, who was in a small shed adjoining the kitchen. He was piling some fire-wood he had carried in from the yard. For a horror-stricken moment no one spoke. Even the dumb creatures were still; and Buzz, thinking it all for his benefit, watched open-mouthed for the next act in the play. “This peacock,” went on Betty, showing the picture of a bird with plumed tail outspread, “is the white peacock of the moon. It lives in the moon, but when fairies want to come to play with li’l girls, they harness the peacock an’ drive down to earth in a silver chariot.”.

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It was Saturday afternoon on a busy street in the city. Moses Wopp and Clarence Crump, at whose home the former was spending the week end, were on their way to the skating-rink. If they had wanted to skate there, the streets would have accommodated them with a sufficiently smooth surface, as an early frost had rimed the pavement. Billy took no heed of time till he saw the man above shoulder his hoe, pick up his wine jug, and start down the hill. At that Billy’s heels grew swift. He scurried out of his hiding place, slipped rapidly through the brush, found his wheel, and bowled off. No languor or heaviness now in body or mind. Every atom of him was alert as on the night of the opera, yet not so normally alert; for the evil atmosphere of the place was in his soul, filling his teeming brain with imaginings of many crimes. As the evening wore on Mrs. Wopp, Mrs. Stephens and a few other ladies adjourned to a box stall where the refreshments were stored. Pleased with the prospect of dispensing lavish hospitality from the combined larders of the neighborhood, Mrs. Wopp’s face radiated cheerfulness. “Ma! Mamma Bennett,” he burst out as he banged open the door; “she’s coming,—our little earthquake girl! The cutest kid,—not so big as the twins, but stylisher in the face.”.